Remaking Empire Records

I think the music that you loved as a teenager ends up being the music that you love for the rest of your life. I can’t get past what I listened to in high school – 1990s alternative and 1960s rock. Movies featuring music of those eras are also perennial favorites. One of my favorite music movies from the 90s is Empire Records.

If Hollywood calls me to remake Empire Records, he’s how I would recast it:

Lucas: Rory Cochrane to JGL
lucas

JGL

Lucas is an idealistic, quirky music fan who is skeptical of the man. That is basically Joseph Gordon-Levitt in real life and in every role.

AJ: Johnny Whitworth to Robert Pattinson

whitworth

rpat

AJ is artistic and moody and fixated on a girl. And he has great hair. This is what R-Pat loves to do. He’s pretty funny in How to Deal, and I think he’d like being in an ensemble movie.

Debra: Robin Tunney to Emma Watson

tunney

watson

Debra is dark and sensitive, which seems to be what Emma Watson is getting into playing. Plus, she can pull off very short hair.

Gina: Renee Zellweger to Jennifer Lawrence

Zell

JLaw

Gina allegedly gets around but also has a real heart of gold. She uses her looks as a shield. J-Law’s got this role in the bag.

Mark: Ethan Embry to Logan Lerman

embry

lerman

Mark is kind of a cool dork with an innocence about him. Lerman nailed this in Perks of Being a Wallflower.

Corey: Liv Tyler to Brittany Snow

livt

snow

Corey seems like she’s playing alternative but is actually privileged, but secretly furious, which was Brittany Snow in Hairspray.

Joe: Anthony LaPaglia to Mark Duplass

AnthonyLaPaglia

dupe

Joe is still not a cog in the man’s machine, but he’s a little older and more cynical than the rest of the crew. And he’s a musician. Duplass is musical and is always ready to stick it to the man.

Rex Manning: Max Caulfield to Paul Rudd

caulfield

rudd

Rex Manning is a washed-up creep who is good-looking and has strong features. Paul Rudd is not washed up, but he is old enough to play someone who is washed up.

Any suggestions? Who did I miss?

Joey Watches a Movie: Enter the Ninja

Sam went to bed early last night so I took the opportunity to watch a 1981 action movie called Enter the Ninja (R). Here is U-Verse’s summary:

“A former soldier completes his ninja training and travels to the Philippines to visit his Army buddy where he is forced to battle a greedy land grabber.”

CREDITS

A ninja is swinging around nunchucks. Now he has a sword. A gong sounds! “ENTER THE NINJA” says the title credits. Now the ninja has a bow. Once we see a sai all the Ninja Turtles are – he brought out the sai! This ninja has the skills of all of the Ninja Turtles combined. Now he’s demonstrating all kinds of weapons I’ve never seen before. Now a white ninja dressed in white is fighting a ninja dressed in black! Face kick!

NINJAS FIGHTING

The ninja in white and the ninja in black are running around in the Japanese jungle. Two ninja in red are running around also. The soundtrack is kind of like ninja jazz.

I can’t do the next few minutes justice. Just imagine ninja fighting in the jungle with ninja jazz in the background. A ninja just caught two arrows right of the air! Someone just took a throwing star to the face! The white ninja just threw down smoke and fire and disappeared! Where do the ninja keep all of these gadgets? They need utility belts. White ninja is jogging along a lake!

Man, I wish everyone could come over right now and watch this with me. Sword fights in a waterfall! White ninja just jumped down a 100 foot waterfall!

White ninja is at some kind of enemy compound now and he is fighting all of the red ninja. Smoke everywhere! Flipping!

“Surrender or die!” says the white ninja. This is the first written dialogue. The defeated ninja chooses surrender. White ninja just bowed to an old man and cut off what is clearly a mannequin’s head. Now he’s sneaking into a house, even though he literally just cut off someone’s head on the front porch after flipping through smoke. I’m pretty even a mediorce ninja leader would already be aware of his presence. It’s probably ok just to walk in at this point.

The white ninja just sat down and took off his mask and he looks just like Bill Paxton with a mustache. He’s like a beefcakey Ron Swanson. Now all the red ninja like him and they’re all sitting together with that cut off mannequin head. I’m not really sure what is happening.

There are nine levels of power discussed by the ninja leader: Strength, direction, harmony, healing, premonition, knowing, mastery of time and space, controlling nature, enlightenment. Woah…woah…apparently the ninja fights I just witnessed were not lethal and were part of a test. It actually was a mannequin head. I thought that was just how the prop department decided to handle that scene, but I guess it was supposed be a mannequin head. And the white guy just got his “license as master of ninjitsu”. Man, I didn’t even know this was an option. I can’t believe I went to law school instead of ninja school.

In the next scene, all the ninja are drinking sake. Kampai! One of the ninja doesn’t think the white guy is a real ninja because he doesn’t drink alcohol.

WHITE NINJA GOES TO THE PHILIPPINES

White ninja just broke into some kind of compound again, presumably of “an old friend”. A blonde woman with a shotgun just snuck up on him and threatened him. This guy just graduated from ninja school, how did he miss a white woman with a shotgun walking up to him? He takes the gun from her. It turns out she’s the wife of his old Army buddy. We already see that his old friend has a drinking problem and she’s upset about it. I think the shotgun lady is going to fall for the white ninja, whose name is Cole. Cole drinks juice instead of booze. We learn everyone’s name. The white ninja is Cole, the Army buddy is Frank, and Frank’s wife is Mary Ann.

I need to talk about everyone’s accents. Everyone talks in a stunted, exaggerated manner like it’s overdubbed, except it is not overdubbed. Mary Ann has some sort of British accent sometimes, or maybe Australian.  She looks like British Goldie Hawn. (She’s played by Susan George, who was in Straw Dogs.)

We learn that Frank is upset because someone is trying to take his land. My guess for the plot is that the Army friend will die and Cole will save the land, vanquish the bad guy, and end up with Mary Ann. But first, he has to train with nunchucks on the front lawn:

This movie had me at "training shirtless in the yard with nunchucks".

This movie had me at “training shirtless in the yard with nunchucks”.

THE PLOT THICKENS

Oh no, Cole is going into town with Mary Ann. The music changes from ninja jazz to funky jazz. I hate it when people cheat, even in movies so I’m not liking where this going. Oh no, a giant guy in bellbottoms and a man dressed like Colonel Sander are in town! I think we found out who the villain will be. This movie reminds me of Road House for several reasons. Colonel Sanders has a Captain Hook hand! He sounds British or Australian or something. He’s beating up shop owners.

IMDB lists this character as "The Hook".

IMDB lists this character as “The Hook”.

Cole and Mary Ann go back home.

Oh man, some thugs are beating up people on Frank’s property and Cole goes nuts! Flying kicks! Planks of wood to the gut! Arm break! We get some exposition and learn that Frank has a drinking problem because of all of the criminals, and that Mary Ann wants to stand up to the criminals. She goes back to town to hire some new workers. I’m not sure why they don’t just stay in town.

While she’s in town, Cole has to fight the Hook. It turns out the Hook is a henchman for a “Mr. Venarius”. He seems to be some kind of CEO of bad guys in the Philippines. The Hook, who now has a German accent and is named Sigfried, explains to Mr. Venarius that Cole is a problem. “We must have Frank’s property! I want it!” explains Mr. V. Say what you will about evil businessmen, at least you know where Venarius stands. He’s going to personally pick ten henchmen to fight Cole. In order to pick the cream of the crop, Mr. V has a bunch of bad guys get together, then he tells them to fight each other. The ten guys standing will fight Cole. Then Mr. V has people spy on Cole at a polo match to get some background.

MILITARY FLASHBACK!

Frank saved Cole’s life in Angola.

THE WAR BEGINS

The Hook and the ten henchmen show up at Frank’s ranch and start beating people up. Cole and Mary Ann ride in on horses to stop the fighting. Cole is beating up seven guys at once! They start running away! Where are they going? Presumably Frank’s ranch is some distance from the village, let alone Manila. Holy crap, Cole rips off The Hook’s hook! “Hey, you forgot something!” he says and the music goes “Wah wah waaaaaaa!” (Really!) Siegfried limps back to Manila, where Mr. Venarius’s office is located.

Mr. V is into choreographing synchronized swimming. He is training synchronized swimmers in the pool located inside his office. He wants to send more men to fight Cole. Little does he know that Frank and Cole are coming for him.

For the third time, Cole raids a compound. Mr. V makes all of his henchmen wear white suits, and they are soiling those suits because they’re scared of the White Ninja! Cole takes out fourteen by himself.  All kinds of very slow, half-hearted kicks are flying. No one is attempting to make their punches look like they actually landed. (I don’t think these actors went to any kind of combat boot camp.) Frank and Cole win the fight! This time, it’s Cole who carries out Frank. They go to a bar, where Frank confides in Cole that he is not currently active in the boudoir. Frank’s character is actually kind of sad. I think he had PTSD. He just doesn’t have any will to fight anymore and he feels incompetent with Mary Ann.

Oh boy, sadly I was right. Cole and Marianne get to “know” each other. I think Frank made her do it? It’s a weird dynamic. It’s kind of like the old book Shane, or Arthurt/Guinivere/Lancelot. Did y’all know that the name Jennifer probably comes from Guinevere? Ok, this scene is over, back to the plot.

We’re back in Manila with Mr. V. He thinks that Cole is a ninja. He goes to a movie agent in Japan to help him find an actual ninja to fight Cole. To find an actual ninja, they go to the school where Cole trained, and they pick…the guy who said Cole isn’t a ninja. This is bad news.

Cole decides to break into Mr. V’s office to figure out why Frank’s land is worth so much to Mr. V. It turns out that “according to these geological reports” (which Cole can read with ease), there’s a lot of oil on Frank’s land. They also stumble upon film of the bad ninja from Japan shooting the bad guy with arrows! Cole can now prepare for ninja war, at least.

FRANK IN DANGER!

The ninja shows up at Frank and Mary Ann’s ranch! He’s wearing a traditional ninja outfit. I’m sorry, but I have think that in 1981, street clothes would be a more useful form of camouflage. How would you even get to someone’s ranch in a ninja outfit? Do you take a bus and then walk? I can’t imagine the looks you’d get. Surely someone would call the police. Well, I guess his disguise was good enough because he just killed Frank and captured Mary Ann, presumably to take her to Manila to draw out Cole?

Cole, utilizing his master ninja skills, returns back to the home and slowly figures out that something is wrong based on the fact that no one is home and everything is broken in the house. Also because poor Frank is floating in the pool. Cole has Army flashbacks again. The weird thing is they are always the only two guys in the Army scenes. Are we positive they were in the Army?

Mr. V. may have been able to take down poor Frank, but he obviously doesn’t know what he’s in for with Cole.

COLE: THE VANILLA THRILLA IN MANILA

Cole dons an all-white ninja outfit and he’s got like two hundred ninja weapons on him. He’s in Mr. V’s office building. This seems like the least-stealthy outfit possible. It took him about twelve seconds to make it up to Mr. V’s penthouse office. You would hope as an oil tycoon with a pool in your office, you can get better henchmen and guards. But, you know what they say about finding good help.

Just bein' a ninja.

Just bein’ a ninja.

Mr. V’s assistant shows up agrees to just take him on over to Mr. V. Think of all the henchmen who could’ve been saved had the assistant just waited in the lobby. Apparently Mr. V is not in the building, so the white ninja gets in a town car with everyone and drives out of town. Do they talk about anything in the car? Do they listen to music?

“So, Vanilla Ninja, does the suit breathe well?”

“Surprisingly, yes. It’s moisture wicking.”

“Ah, fantastic. You really need that in this jungle climate, even if you aren’t a stealthy mercenary. So humid! ”

“Yep. Hey, how do you guys feel about turning up some yacht rock?”

“On it!”

Well, as you can guess, Cole fights a bunch of bad guys and then kills Mr. V to avenge Frank’s death. Mr. V has a very melodramatic demise, as seen here:

I cannot stress how wonderfully overacted this scene was.

I cannot stress how wonderfully overacted this scene was.

BUT, the bad ninja still has Mary Ann. Wait, he just let her go. A ninja with honor. I guess he just wants to fight Cole. So now they’re fighting in some kind of fighting ring. In all seriousness, I like the fight choreography and videography because you can actually see the fight, as opposed to extreme close-ups and shaky camera angles. Eventually Cole wins, heads to the airport, and winks at me.

"You're welcome, viewer."

“You’re welcome, viewer.”

THE END.

Joey Watches a Movie: Death Race

Texas has been hit with a flu epidemic. Additionally, my friends and neighbors are dropping like flies with stomach viruses, strep throat, and everything else cold weather-related. Personally, I had strep throat right before Christmas and now I’m battling a chest-cough for the ages. So, aided by a DVR, humidifier, and a hot toddy, I present this liveblog of Death Race.

death race postere

OPEN

There’s like four pages of typed exposition. Basically, in the future, Americans watch prisoners in a death race. It’s like Fast & Furious + Gladiator. Or, Gamer, with cars. Or, high stakes Days of Thunder.  The first scene is the Death Race.

Tyrese Gibson is a star of this movie. His first line, “Why won’t this son of a b*tch die?!?” I don’t know, Tyrese!

There’s a lot of dirty cars driving around shooting.

Car explosion! A car just flew like thirty feet in the air.

I can’t tell what’s happening now. Whoever was holding the camera apparently was trying to breakdance at the same time. I’m getting motion sickness.

Paul W.S. Anderson directed this. He also directed some of the Resident Evil series, Mortal Kombat, as well as The Three Musketeers. We’re in for a treat.

Jason Statham is working in some kind of foundry. He looks pretty mad. His foundry is closing, presumably going out of business. Before leaving work for the last time, Statham looks at pictures of his wife and child. That probably means that his family is about to meet an untimely demise. I’m sensing some of Vin Diesel’s A Man Apart here. Or Punisher. Or The Fugitive.

Oh crap, the SWAT team just showed up, I bet they want Statham! SWAT team is fighting the workers for some reason. Jason Statham is fighting the SWAT team. He’s really mad still. It’s unclear why SWAT showed up.

Somehow there were no repercussions from fighting the SWAT team (yet), because Statham just took the bus home and is now talking to his wife. He just took his shirt off. It’s like live-action Pinterest.

Statham is playing with his baby. His wife is about to be killed. Sadly I am right. She is dead. Statham got framed for his wife’s death! The cops arrest him.

Fast forward six months, Statham is in prison, the same prison where the death racers come from. Statham has his whole shirt off! I’m feeling insecure about myself. Anyway, now Statham is nude and getting beat up. Man, he looks REALLY mad. Guess what, prison guard? Statham never forgets.

The lady from the Bourne movies is running this prison. Joan Allen. I guess Treadstone sunk her. She probably had Statham framed on purpose to get him in the death race.

Statham is meeting his cell mates. They obviously have seen Statham on Pinterest, because they are making eyes at him. He beats them up and says, “I slipped.”

Statham is sitting in the cafeteria for the first time. I’m pretty sure he’s going to have to fight someone. He still won’t wear a whole shirt. Ok, a white supremacist just sat at his table. He spit in Statham’s food. Tyrese got out of the cafeteria. Someone tries to beat up Statham! Statham fights everyone with a food tray! Why do they have metal food trays in prison!

Statham is in Joan Allen’s office now. She is talking about how he’s a good driver. Here we go. This is why he’s in prison. She wants him to be the “the masked driver”, the perennial audience favorite. If he wins the race, he gets out of prison. Joan Allen is like three inches taller than Statham. Long story short, he’s going to end up in that race, even if he doesn’t want to at first. And Ian McShane is going to coach him to victory. Oh, his name is actually Coach. We’ll call him Haymitch. I can’t imagine that Statham’s team of helpers is going to teach the end credits unscathed. Oh, Statham’s navigator is from the women’s prison. I predict some amorous tension. Tyrese walks up to our gang in the rec yard and talks trash. I think he and Statham are gonna be BFFs come race time.

Ok, the race is about to start. Or, from what the graphics are telling us, heat one of three. The cars are lining up, the pit crews are make last minute preparations. Oh uh, the women’s prison navigators just arrived! They are NOT dressed appropriately. We meet Statham’s navigator, Case. She’s all sassy and thinks Statham is cute. She’s got a hard exterior but a heart of gold. Kind of like our boy Statham. I can’t wait ‘til they’re at cocktail parties and they get to tell everyone how they met.

HEAT ONE

The race has just started! For this scene, the director told the cameraman to just throw the camera towards the actors. Lots of rapid zooming and shaking. I have no idea what’s happening. All I can tell is that everything looks really grimy and death metaly. It’s like Mario Kart on bath salts.

“Wakey wakey!” says Tyrese.

I seriously can’t tell what’s happening in the race. Tyrese is being kind of a diva. Y’all, Statham is FOCUSED.

Whoa, it IS like Mario Kart. You run over the pictures of what you want (shields, weapons, mushrooms) and then you get it.

“Feel it, baby!” says one racer. Someone’s car just exploded for some reason. There’s smoke everywhere. Someone just slipped on “oil”, which we all know is Death Race code for Mario Kart’s banana peel.

“What’s my name?!?” says one driver to a crashed car.

Pop quiz: Which of these three phases was just said in the past thirty seconds?
(a) Come on!
(b) Show me what ya got!
(c)Cover me!
(d) I’m back!
(e) All of the above.

The answer is (e).

Haymitch just coached Statham: “Either lose ‘em or kill em.” Statham takes this as a sign to tell Case to get in his lap. I’m not sure how that helped but a car just exploded and Tyrese drove through it. You could really say that this movie is “firing on all cylinders.”

Oh no! Statham just found out that one of the drivers killed Statham’s wife! He’s lost all concentration. I wasn’t aware he still remembered his wife after that whole “Get in my lap” business a few minutes ago. But, once again, Statham looks really mad.

Apparently the Death Race works more like Olympic swimming heats than a NASCAR race. There are a few days between the three heats.

Statham confronts Joan Allen about how she framed him to get him to race. She kicks out her staff so they can talk in private. I think she blackmails him into racing so that he can keep his daughter, who is named Piper. In all seriousness, that’s a cute name.

It turns out Haymitch was up for parole three years ago but he couldn’t leave. He’s kind of like the philosopher king of prison. This is kind of like The Longest Yard now. I don’t think Haymitch is gonna make it.

Tyrese is reading the Bible! He has a razor blade in his Bible!

In the next scene, Statham confronts the guy who he found out killed his wife (another driver). The prison guard from way earlier was in on killing Statham’s wife! This guard is going to get wrecked before credits roll. The guards break up the fight.

Statham is doing shirtless pullups. We get it, Statham.

HEAT TWO

Out of the blue, Statham asks Case if she killed the former masked driver. She did! Because Joan Allen told her to in order to secure her freedom! Man, who can a guy trust in a death race? Statham wrecks Tyrese.

“D*mn!” says Tyrese.

Statham is going after the guy who killed his wife.

“There’s someone I need to kill,” says Statham. It’s hard to describe what happens after that. Long story short, Statham was driving around in reverse shooting the guy who killed his wife. Then Statham killed the guy.

Tyrese just kicked out his navigator. He’s a real diva.

“Release the Kraken!” says Joan Allen! It’s a semi-truck built for Death Race! It’s a monster! Statham just drives through fire because he DOESN’T EVEN CARE ABOUT FIRE. Cars are exploding!

There’s only two drivers left. Tyrese and Statham. They start talking on their radios to coordinate an attack on the Kraken. Even though Joan Allen has cameras and microphones everywhere she doesn’t seem to be able to monitor their radios.

They killed the Kraken! EXPLOSIONS!

This is kind of like Hunger Games now. Trivia: Hunger Games is based on Death Race. Heat Two is over.

Tyrese figures out that Statham is the masked man and confronts him about it. Joan Allen says she’s going to kill Statham. Yeah right, Joan Allen! The prison guard puts a bomb on the bottom of Statham’s car.

Actual trivia: The Romans bottled and sold gladiator sweat as an aphrodisiac.

HEAT THREE

“Gentlemen, this should be interesting,” says Haymitch.

There’s only two cars left and I can’t even tell what’s happening. It’s like the camera itself is drunk. Statham is driving through fire again, straight off of the Death Race track! Haymitch took the bomb off of Statham’s car. The cops are in pursuit! Four cop cars just blow up.

“Bon voyage, friend,” says Haymitch on the radio that no authorities can hear.

Choppers are in pursuit. Statham just rolled out the car and now Case is driving it. She stops the car, puts on the masked man mask, and the cops get her. Somehow Tyrese shows up on foot and gives Statham a bag and they jump on a train. There are Hawaiian shirts in the bag.

Haymitch blows up Joan Allen and the prison guard! He looks at the camera and says, “I love this game.” I love this movie.

SIX MONTHS LATER

Tyrese and Statham own a mechanic shop in Mexico. Case drives up and hip hop music starts playing when she gets out of the car in slow motion. Statham holds his daughter. There’s some voice over about getting a start at something new.

THE END

Long John Silver’s and Scary Movies

Long John Silver’s and scary movies have much in common. First, I generally understand that they’re not for me and I’m better off avoiding them both. Second, once a year or so they sound really appealing so I’ll partake on a whim. Third, they both result in: frightening trips to the bathroom, sleepless nights, days of remorse, and well-meaning declarations of “Never again!”

Things I Would Never Do as a Superhero

  • Jump off of something, land on one knee, look down at the ground, and then look up slowly.
  • Wear tights.
  • Forget to tell friends and family that a supervillain is probably going to attack them.
  • Date someone that I loved. (Dead!)
  • Tweet.
  • Take down a bad guy and then walk away without double checking that he’s down.  Especially if it’s a super villain.
  • Pause before knocking wrongdoers out.  They can explain their bad deeds when they wake up in the police station/my lair/a rooftop. SWEARTOME!
  • Get surprised when the public inevitably turns on me.  They’ll come back around.
  • Invest millions of dollars in a vehicle and then destroy it for no readily apparent reason.
  • Do a flip.  There’s no reason for adults to flip.

SPECIAL NOTE: During the fall of my sophomore year in college, I based my classes entirely on this question: Would Batman take this class?

ADDENDUM: I am an attorney.

The Four-Hour Work Week For the City by John Grisham

I’ve just finished reading For the City, a book co-authored by one of my church’s pastors, Matt Carter.  In it, Carter mentions that he wants to live in such a way that that at the end of his life, he has no doubt that what he accomplished could only be done through God’s power.

“Are you living in a way that requires God’s supernatural power for your calling to be lived out?” he asks.

My answer is a simple, “No.”  How sad is that?  I’m just kind of hanging out.  Coasting.

I’m also reading Tim Ferriss’ 4-Hour Workweek.  In it, he starts with what seems like another pretty easy question:  “What excites you?”

I had to sit and think for a long time (I’ve been coasting), and I realized that my answers don’t have much to do with working or life goals or self-actualization or anything like that.  I’m excited about friends, creativity, and God saving his Creation.  And, of course, alcohol.

What do those have to do with each other?  I think everything.

Because in the end, this will be the reality of all space and time:

“Look! God’s dwelling place is now among the people, and he will dwell with them. They will be his people, and God himself will be with them and be their God.  He will wipe every tear from their eyes. There will be no more death or mourning or crying or pain, for the old order of things has passed away.”  He who was seated on the throne said, “I am making everything new!”

I’m excited about the right things, but my actions don’t necessarily reflect that.  But I want them to.   I want to be living in a way that acknowledges that God is for us.  I want to be for my neighbors and co-workers and the Creation all around me.

So, after thinking about current station in life, I set the following goals for myself:

  • Be a great husband.
  • Be a great steward with the “talents” (finances and skills) God has given me.
  • Be creative.
  • Be involved in my town.
  • Be a badass street lawyer.

That sounds like a life worth living.

Pride & Prejudice

In the past two weeks, Samantha and I have watched:

  • Pride & Prejudice (BBC)
  • Pride & Prejudice (the new one)
  • Love Actually
  • The Importance of Being Earnest (with Colin Firth)
  • Bridget Jones’s Diary
  • The Holiday

That means that we have a pretty good working knowledge of casting British movies and/or Colin Firth (lots of overlap).  So, we decided to come up with an all-star cast for a (mostly) American adaptation of Pride & Prejudice.

Elizabeth Bennet: Kristen Bell, Ginnifer Goodwin, Alexis Bledel
Mr. Darcy: Taylor Kitsch, Joseph Gordon-Levitt, Christian Bale
Mr. Bingley: Robert Pattinson, John Krasinski, James Franco
Jane Bennet: Blake Lively, January Jones, Amanda Seyfreid
Mr. Wickham: Chris Pine, Brendan Hines, Jason Dohring
Mr. Bennet: Tim Roth, Jeff Bridges, Steve Martin
Mrs. Bennet: Meryl Streep, Diane Keaton, Jamie Lee Curtis
Lydia Bennet: Miley Cyrus
Georgiana Darcy: Elle Fanning
Bingley’s Sister: Minka Kelly, Anna Kendrick, Mary Elizabeth Winstead
Lady Catherine: Meryl Streep
Mr. Collins: Jason Segel, Timm Sharp
Charlotte Lucas: Elisabeth Moss

Who would you cast?